You need to use solid building blocks to structure and present your solo into a seamless, engaging story that your audience will want to listen to. MP4, AVC, 650 kbps, 960x540 | English, AAC, 128 kbps, 2 Ch | 1h 34m | + Charts (.pdf), Jam Tracks (.mp3) | 564 MBĬreate Compelling, Melodic Gypsy Jazz Guitar Solosīuilding a strong melodic solo is one of the most important skills an improviser needs, especially when soloing in the Gypsy Jazz style. Reinier Voet's Gypsy Jazz Melodic Soloing Guidebook Recorded in an ambient hall** with multiple mic positions:
Release samples that respond fluently to note-length variation* Multiple attack types (hard and soft) triggered via velocity "Active-bow" sustains (non-static longs that move and evolve while simultaneously maintaining the dynamic/timbre) Bow-change legato con moto (legato with movement in the bowing and vibrato) Three dynamic layers, from moderately soft to FFF Six cellos (primarily soloist and 1st-chair musicians) from the Capellen Orchestra Bow-change legato transitions wrap it all together, and with the entire library recorded con moto and musically-restless, the result is a breathing ensemble with coherence in phrasing, vibrato, and expression. Much in the same vein as Oceania, Con Moto - Cellos continues along the path of "energetic release samples" and appreciation of performance-sourced phrase endings as a critical element of the toolkit in release-sample functionality. Responsive note attacks and meticulously-timed release samples - derived from units of musical performance - morph with your playing to allow fluent note-length variation, similar to previous Performance Samples libraries. "Active-bow" sustains offer continuously re-expressed vibrato & emotion, via performance & editing approaches. Performance Samples Con Moto - Cellos KONTAKT | 1.83 GbCon Moto - Cellos is a string library recorded with motion in the sustains, legato, and attacks/releases. Grab your guitar and let's get our numbers straight and rippin' with Johnny Hiland! Plus, Johnny includes all of the backing tracks for you to work with on your own.
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You'll also get Guitar Pro files so that you can play, loop and/or slow down the tab and notation as you work through the lessons. You'll learn intros, turnarounds, and outros for a working man blues in the key of A, a standard country feel in the key of G, a country shuffle in D, a ballad in the key of C, a bluesy country shuffle, a low down drop D tune, a rockabilly feel in the key of E, a laid-back swingin' groove in A, a "Neon Moon" type tune in the key of G, and a modern country groove in A.Īll of the key examples and performance studies are tabbed and notated for your practice, reference and study purposes. Johnny will then perform those parts over a backing track and then guide you through a detailed breakdown. For each of the 10 performances studies, Johnny will first explain the progression and demonstrate how it relates to the number system and share insight on how he would approach crafting the parts.
You'll learn intros, turnarounds, and outro parts for 10 live band tracks covering the most common country feels and progressions, in a variety of keys. In this course, I'll show you a really simple way to figure out the number system and I'll also teach you some my favorite intros, outros, and turnarounds." What do you do? As the lead guitar player, you're expected to immediately lead the singer into the song - just rippin' it while you're doing it.
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"Say you're the lead guitar player in the honky tonk, and a singer jumps up on the stage, calls out a song that you've never played before, along with a series of numbers.
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Better yet, Johnny will show you how to create your own vocabulary of intros, turnarounds, and outros. In this Intros Outros & Turnarounds Edition of Ten Gallon Guitar, Johnny Hiland will not only teach you that number system, he'll also demonstrate some his go-to intros, turnarounds, and outros.
As the lead guitar player in the band, you're not only expected to understand that those numbers represent the chord progression for the intro to the tune, you're also expected to play a killer intro and lead the singer into the tune. The drummer immediately starts to count the band in. MP4, AVC, 650 kbps, 960x540 | English, AAC, 128 kbps, 2 Ch | 5h 17m | + Charts (.pdf), Jam Tracks (.mp3) | 1.86 GBĮssential Vocabulary of Lead Lines for Country ProgressionsĪ singer takes the stage with you at the country jam, turns to the band, calls out a tune and key, and then shouts out "11 45 62". Johnny Hiland's Ten Gallon Guitar: Intros, Outros & Turnarounds
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